![]() You’ve worked on the series with a handful of artists, including most frequently Marcus To. We’ve gotten to really feel the weight of the role of Captain Britain with Betsy. Getting to tell one of the first stories of the Dawn of X era meant stretching out, expanding, fertilizing the story ground everywhere we stood, and working with other teams who were doing the same. So often when we get the opportunity to tell a story, we have to swing for the fences right away in just a few issues, try and establish everything really quickly. You’ve been writing EXCALIBUR (2019) since issue #1! Can you sum up what’s been so special about working on this project during such a momentous time for the X-Men? If you can tell your artist-in the script, on the phone, whatever-clearly what is going on internally with your characters, they can draw it in before or instead of ever having to say it on the page. ![]() Part of this is being in touch with your artists. How do you convey each character’s unique personality traits with your collaborators? Lately, I’m aggressively combining two seemingly different methods-both carefully studying the rules of narrative structure and also leaning HARD into the very weird things that make my work uniquely mine. What inspires your scripts the most? Is it your past work, a creator, artist, or piece of art or something else altogether? ![]() ![]() ![]() Over nearly 20 years.we’ve seen it happen. They were one of my first favorite Marvel couples when they were brand new, and they’ve always been ‘prophesied’ to be great. Newlyweds Wiccan and Hulkling went on their honeymoon in KING IN BLACK: WICCAN AND HULKLING #1 w hat was your favorite part about writing this couple? ![]()
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